2 Royalty-Free Audio Tracks for "History Of Dance"

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Stereo recording of the lp "dance hall of shame"a silent record released by virgin records protesting censorship in music. From the sleeve:"if there is one lesson to be learned through our history, it's that freedom of speech has inevitable risks. But the alternative is slavery of mind, in a society empty of thought. If we value the progress of music and expression, we must accept that there will be music we dislike and lyrics that offend. Our responsibility lies in promoting legitimate argument and persuasion. If we do more than this, overstep our bounds with labeling and censorship, then our unwillingness to accept the risk of freedom leaves only one future to our children: no thinking. No talking. No music. ".
Author: Yfjesse
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library of congress recording, and before 1911 -- public domain traditional Omaha Indian song. From here Notes This song was collected by Alice Cunningham Fletcher and Francis La Flesche. It is included on Omaha Indian Music: Historical Recordings from the Fletcher/La Flesche Collection (AFC L71). From the liner notes of the Omaha Indian Music album: Composers of love songs used melody and vocables to convey emotion (1893, pp. 53-54, 146-150; 1911, pp. 319-321). The true love-song, called by the Omaha Bethae waan, an old designation and not a descriptive name, is sung generally in the early morning, when the lover is keeping his tryst and watching for the maiden to emerge from the tent and go to the spring. They belong to the secret courtship and are sometimes called Me-the-g'thun wa-an - courting songs. . . . They were sung without drum, bell or rattle, to accent the rhythm, in which these songs is subordinated to tonality and is felt only in the musical phrases. . . . Vibrations for the purpose of giving greater expression were not only affected by the tremolo of the voice, but they were enhanced by waving the hand, or a spray of artemesia before the lips, while the body often swayed gently to the rhythm of the song (Fletcher, 1894, p. 156). George Miller's probable year of birth is 1852.
Author: Performed by Miller, George (Inke'tonga) (Big Shoulder), Recorded by Alice Cunningham Fletcher and Francis La Flesche.
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